Taíno Sun Muse

Taíno Sun Muse, acrylic on tile, "6 x 6", 2012.

I just wanted to share the Taíno Sun Muse, at home now with Ana Alicea, the person who inspired me to keep making all these tiles with her continued support. Thank you Ana!

Cacibayagua in a Music Video by Saxophonist Luis Rosa

Cacibayagua, Oil on canvas, 20" x 16", 2012.

One of the most beautiful things about the Internet is the opportunity to collaborate with people you don't even know nor would hope to meet in normal circumstances. This morning I received a wonderful email from a musician in Ohio asking me if he could use the piece Cacibayagua in his video. Of course! Nothing gives me more pleasure than the opportunity to collaborate with other artists, each person doing what we love. Here it is: Luis Rosa performing a composition by Felipe Fournier titled Atabex; Luis Rosa - Arrangement & Performance: http://www.youtube.com/watch?v=mo5miBiLXOg

Inriri

Inriri por Tanya Torres

Inriri by Tanya Torres, Oil on canvas, 20" x 16", 2012.
 

"They searched for a bird called inriri (woodpecker), and before was called  inriri cahuvayal, which lives in the trees, in our language it is called pico. Those persons without male or female sex were taken, their feet and hands tied, and the mentioned bird was tied to their body; the pico, believing that the people were tree trunks, began its accustomed work, pecking and making a hole where you can ordinarily find the nature of women."  Fray Ramón Pané

And so I found that the Taínos, the original inhabitants of the island of Puerto Rico, had spoken to tell me how the nature of women was created.

Blue Hair

Blue Hair, Acrylic and Water-soluble crayon on canvas, 16" x 20", 2008

Poem: "Fly, Soul, Fly" from Destellos de Sofía, a new handmade book of poetry

I created this painting in 2008 from a drawing I had done about a year earlier, at night, together with the one titled "Sunflowers." Then one day, a friend called me to bring some paintings to be exhibited at the Community Board office, and I decided to paint this canvas with materials that could dry faster than oil paint, my usual medium of choice. I used acrylic paint and my other favorite material, water-soluble crayons. The result was pleasing to me, a painting that I have had hanging in my own living room until a couple weeks ago, when I brought it back up to my studio in the hope of tuning into it again for the new series that I have been calling "Sacred Garden" and "Goddesses of El Yunque."

For years, I have been wanting to get closer to my own culture through painting, but in a way that did not involve the usual symbols of nationality or a social/political perspective. I wanted a symbol that I could create within my own style and that would be sincere, universal and spiritual. So when two wonderful women somewhat and somehow identified this image with a Taíno goddess, I felt that I had found the connection between my own style, my desire to create something related to my culture and the universality I strive for in all my work.

Blue Hair then becomes the inspiration for a new series of work. I look forward to painting large canvases with one or more figures accompanied by animals and plants from the island of Puerto Rico and maybe the rest of the Greater Antilles, drawing on Taíno symbolism and my own mythology/iconography.

As I always tell my son, "Great Goddess of History, help me!" This time, I think she heard me!

Sacred Garden: Her Spirit Remains (Behind the Yuca plant with Reinita and Coquí)

Yuca grows in this garden, visited by animals, guarded by the divine ancestors who inhabit the grayer shades of life within. Made of water, leaves, roots, she might be as green as the forest itself, or as blue as the evening sky. Or she might be transparent, like a veil. She is undoubtedly humid, and life grows out of her heart.