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Saturday, September 25, 2010

Song of the Magdalene: Mary Magdalene in the Garden


Mary Magdalene in the Garden, Oil on Canvas Board, 7” x 9”, 2005
This is the third Mary Magdalene I painted in 2005. She is in peaceful meditation, surrounded by light and nature. She is in a garden that has both live and dead plants. The green leaves contrast the reds of the dress, sky and flowers. The dove sits on a branch, watching over her.

I have been asked several times why I use the color red for my Magdalenes. In traditional iconography, the Magdalene's color is red, just like the Virgin Mary's is blue. It is interesting to note that early on the Virgin Mary wore red as well because it was the color worn by influential Jewish women, but an edict was issued by the Catholic Church that red was the color of a prostitute and that the Virgin Mary was to wear blue (read here to read more about this). Since a Pope declared Mary Magdalene to be the same person as the sinner in the Bible, her customary color became red.

My Magdalene is definitely not a prostitute, but an influential Jewish woman. Of course, when I painted this, I was only referring to traditional iconography, because I didn't know any better! Since then, I have learned that red is the color of passion, power and action. I think these are qualities of the traditional Magdalene. She had passion to follow Jesus Christ and become a disciple in search for knowledge, she had power over herself to make her own choices, and she took action by staying at the foot of the cross while the other apostles hid, and by being the first witness to the Resurrection, Apostle to the Apostles.

I also did not know at the time that Mary Magdalene is considered the patron saint of perfumers and gardeners. The flowers that appear in the painting are my made up flowers. One day, when I still had Mixta Gallery, I made a large mural drawing on the wall and drew some of these flowers. A friend, who is also a reverend and studies religion, told me that I drew the Vesica Venus. Later, he sent me some information, correcting himself and saying that he had meant Vesica Piscis. This is a symbol of great mysticism, that I had never studied, but that we all have seen in art and mathematics. Learning this was very important for me, because it made me aware of being in touch with knowledge I did not consciously have. But being poets, of course, my friends and I loved the first name, and it stuck. So I call these flowers Vesicas de Venus, and you will see them in several other paintings and drawings.

Finally, death. My experience with cancer taught me that death is always present. My paintings celebrate life, but they also contain, as I contain, the knowledge of death. For me, death means that we only have access to our bodies for a finite amount of time, and that we must use then as best as we can to learn and experience the joys of our own creation. And we do this by using our gifts and sharing them. So death is a contrast, like the branches contrast with the bright halo of the Magdalene, a light we all contain within ourselves, the light of Infinite Love. And Love is the other name of God.

The little dove is the Holy Spirit. She is watching over the Magdalene, really, they are one. Holy Spirit is Sophia is Wisdom. And Wisdom, or knowledge of ourselves, is the goal we all have for this life.

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I want to share with you that Mary Magdalene and Sarah is sold to a wonderful woman and her daughter, and is going to Ecuador for the New Year! It fills me with joy that my painting will be with people I feel close to in my heart and spirit. Thank you!

If you would like a reproduction or greeting card, visit my store!

Friday, September 24, 2010

Song of the Magdalene: María Magdalena

Oil on Canvas Board, 7” x 9”, 2005


My friend Migdalia made a comment yesterday that anticipated what I wanted to say about this painting. She said that the Magdalene looked Hispanic. She saw her like her own self. And this is what I intend for all of the Magdalenes: to make them look universal. I think that, if you look at this Magdalene, she could be from America, or Africa or the Middle East, or even Europe. She is you and she is me, the sacred feminine in all of us.

I painted Mary Magdalene in prayer because it is a universal praying gesture human beings use to connect with themselves and with the divine. Her eyes are closed from distractions, she is looking within in order to really see. This way, her light becomes bright yellow because her whole being is responding to this timeless moment.

When I paint her, I think of the Magdalene more as an idea than as an actual person who lived years ago. As a child, I heard somewhere, somehow, that we human beings are all part of a whole. I used to imagine myself as a dot of light going towards a great big Sun. I guess I was meditating without knowing it. Many people also believe in spirits, angels, and saints, and that these energies are all around us. I didn't think much of these things as I was painting this Magdalene, but later on, I realized that ideas become a reality when I am painting. I feel connected to the Magdalene in both of those ways: as part of a whole, and as a presence that guides me. By paying attention to what happens when I paint (or stop painting,) I have come to feel guided and nourished by the presence I identify as the Magdalene.

Last month I decided to write all these experiences, but they came out as a really long essay that I can't really share here. My conclusion, however, is that I have been discovering what it means to be "fully human", two words that struck me when I read the Gospel of Mary. In many ways, she has become my muse and my guide into the world of the imagination, a very human quality that is part of our "fullness."

This is the second Magdalene I painted in 2005. I always start with a drawing, and what I look for is a sort of iconic image, lines that will help define the character of the painting. I always try to remember to keep these drawings for another project that I am working on, a coloring book, so here it is. It is a little gift for you to express my gratitude for your visit to this blog. Download it and color it, make it your own and remember the bliss of creation!
https://files.me.com/tanyaetorres/zej2h2 (available for the next 5 days)

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This original is already sold, but it you would like to order a greeting card or reproduction, click here: http://web.mac.com/tanyaetorres/iWeb/Site/Shop_Paintings.html

Wednesday, September 22, 2010

Song of the Magdalene: Mary Magdalene and Sarah


Mary Magdalene and Sarah
11” x 14”, Oil on canvas board, 2005

Mary Magdalene and Sarah is the first painting in the series Song of the Magdalene. It comes out of reading the book The Woman With the Alabaster Jar. Author Margaret Starbird explores different theories about the biblical Mary Magdalene, among them that Mary Magdalene could have had a daughter by Jesus Christ called Sarah, whom gypsies today adore each year as Saint Sarah the Egyptian in the french town of Saintes-Maries-de-la-Mer.

Since my previous paintings were about mothers and babies, this Mary Magdalene is a sort of transition into the newer series of Mary Magdalenes. It also helped me establish the color palette that would evolve into the more intense reds and yellows of the paintings that were to follow.

In this painting I seek to portray the sacredness of a moment shared by a mother and her baby, a moment which enlightens them both and lets their souls continue to be one in timeless eternity.
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To buy this painting, a greeting card with this image or a reproduction, visit my shop!

Friday, May 28, 2010

Praising Life

Yesterday, for my friend Luis Rodriguez, whose poem "Praise" inspired this image.