Wednesday, February 26, 2025
Spirits of the Forest on Large Tiles
Wednesday, January 01, 2025
Return
For so long I haven’t been able to write, or draw, or do much painting. It all started when the house that my husband and I bought in 1997 started having problems. Then a lot of struggle. And a lot of decisions that, looking backwards, were bad decisions. Decisions of attachment.
In the end, and after about 7 years, we stepped out and sold. All those years, I was itinerant. I lived in different places, back in the building, out again. Until I finally arrived at a place that is now home. I never thought I would live anywhere else but my house in East Harlem, where so many dreams became a reality, where my son grew up, where I grew up as an artist. But such is life, as they say.
The worst part was that all along, except for the time I spent in Puerto Rico in the beginning, I have been working full time and full strength. I return home every day exhausted and depleted, and even though it was necessary, I struggled a great deal to accept that, at least for a while, I would be a regular person with a regular job, with little time for art or poetry or friendship. I still haven’t accepted it.
I felt really disappointed in myself and my lack of energy. I felt like I was failing in my commitment to my artwork, and I chose to hide and be quiet for a while since I could not find my words.
It’s not that I was completely away. I made many watercolors while on zoom meetings in the pandemic.
I participated in a MOMA project with the Rafael Tufiño Printmaking Workshop, and exhibited with the 7 Women in Movement.
I taught a year-long workshop and took a trip to Puerto Rico with my students.
I continued the Mary Magdalene Celebration, each year.
I even created a poster for the Museo del Barrio.
And also had the opportunity to participate in the Campechada in my town, San German, Puerto Rico.
I probably did a few other things, but was too sad and distracted to even post here. Whenever I sat down to write, I had no words.
Then one day I started working on myself. It took a while to get myself back. I listened to a lot of podcasts and advice, I meditated non-stop (or tried) and started working on believing that I can reclaim my ideal life and my art.
Little by little, things started happening, magic restarted. The building sold. I found an apartment to buy, an apartment very close to my mom’s and full of light all day. It took a few months to rebuild and furnish, and then a few months to feel at home. I started writing in the morning before going to work. Sometimes I could only write a sentence or two. I drew sigils with my wishes. I imagined things just like when I was 17 years old and wanted to escape New York. And finally, I started painting.
By the end of 2024 and the first day of 2025, I have 2 new paintings and one in progress. I have a new book in progress. I feel like projects and life are finally within reach.
I have promised my self the following:
Excellent food and nutrition: Nourished
Exercise and flexibility: Strong
Meditation and prayer: Elevated
Art every day: Creative
Business dream into reality: Disciplined
For this I created an impossible checklist: (Today, so far…)
✅ Writing
☐Meditating
☐Breathing
✅ Healthy food
✅ Drawing
☐Painting
✅ ✅ Blog
☐Yoga
☐Walking
☐Products
✅ Contact a friend
☐Planning
✅ Gratitude
This is the plan. Which translates into living every day the way I want to live every day, even if I still have a job and haven’t quite liberated myself from the aftershocks of the art-life-shaking events.
I have so much work to do, it’s scary. But the alternative is staying in place, in a place that while significant and of service to humanity, is not what my soul wants.
I have had the opportunity to learn so many things about myself during this period. And the main thing that stands out is that I am unable to give up my life-long vision, a vision I realized and lost, but that refuses to leave my heart.
The time is now.
Thursday, December 28, 2023
Trip to Puerto Rico After "A Year of Art at La Casa"
Nobody would be obligated to go and others who wanted to join only for the trip were welcome. My goal was to test an idea. How would it feel and how would it work to invite creative people for a workshop in my house-studio in Puerto Rico? Is it something I would like to do more formally in the future. Most who joined the class knew me and had been with me for many years, some for 20 years. They would be my guinea pigs and in exchange I would do my best to give them a memorable experience!
On the way to San German, we stopped at Guánica. This is supposed to be the place where the Americans arrived in or invaded Puerto Rico. The big rock on the promenade commemorates that moment.
Sounds of the night in Puerto Rico
Downstairs in the morning, the light is so beautiful.
El Combate Beach is one of the most beautiful beaches of the west of Puerto Rico. We had visited Boquerón beach earlier and then drove to Combate for a great lunch next to the beach. This photo was taken by Hilda from where we were sitting. The restaurant is called "Annie's Place" and you could see the sunset as you eat. We had lunch and a lot of fun.
The rocking chairs are waiting for Walde to fix them. These are traditional furniture made of wood and straw, so they require a special technique to fix them.
Musicians in el Bombazo, or bomba music and dance. Many Puerto Rican people in NYC attend classes to learn to play and dance this type of Puerto Rican traditional music. And Cristian and Lily, and even Hilda, who is Palestinian, had taken dance classes. So Lily danced in a bombazo for the first time.
Hilda and Lily (below) next to the "chinchorreo" bus. This is a new tratition in Puerto Rico. A group of friends rent a big, colorful bus together and visit all the roadside "chinchorros" eating and drinking places while playing music, singing, dancing and drinking some more.
Activity: Paint a Spirit of the Forest or a Taino Symbol painting